Wisława Szymborska's Unseen Collages and Poems on Display in Genoa
In Genoa, Italy, a fresh exhibition unveils lesser-known elements of Wisława Szymborska, the Nobel Prize-winning Polish poet (1923–2012). It includes 85 original collages, reproductions of her notebook pages, and ten poems rediscovered from the 1950s and 1960s. The collages, influenced by artists such as Braque, Picasso, Dadaism, Max Ernst, and Man Ray, were crafted as handmade cards for her friends. Szymborska's poetry first appeared in Italy in 1961 through Silva, with her official debut occurring in 1993 via Scheiwiller, thanks to Alina Kalczyńska's efforts. The exhibition emphasizes her "poetry of resistance" and critiques humanity's egocentric perspective, although the lack of a catalog is considered a lost opportunity.
Key facts
- Exhibition in Genoa features 85 original collages by Wisława Szymborska
- Ten previously unpublished poems from the 1950s and 1960s are on display
- Collages were created between the 1960s and 1970s as handmade cards for friends
- Szymborska was first published in Italy in 1961 by Silva, curated by Carlo Verdiani
- Her major Italian debut was in 1993 by Scheiwiller, facilitated by Alina Kalczyńska
- Szymborska left the Communist Party in 1966, losing her job at Życie Literackie
- Collages are inspired by Braque, Picasso, Dadaism, Max Ernst, and Man Ray
- No catalog has been published for the exhibition
Entities
Artists
- Wisława Szymborska
- Pietro Marchesani
- Adam Zagajewski
- Andrzejewski
- Brandys
- Gałczyński
- Różewicz
- Ważyk
- Mrożek
- Carlo Verdiani
- Alina Kalczyńska
- Vanni Scheiwiller
- Braque
- Picasso
- Max Ernst
- Man Ray
- Niccolò Lucarelli
Institutions
- Silva
- Scheiwiller
- Adelphi
- Życie Literackie
- Artribune
Locations
- Genoa
- Italy
- Kórnik
- Cracow
- Poland
- Milan