William T. Vollmann's Fukushima Testimony Published by Tristram
William T. Vollmann's book "Fukushima. Dans la zone interdite" has been published by Tristram. The work examines how an event like the March 2011 earthquake, tsunami, and nuclear disaster in Japan can become the argument of an artwork rather than its subject or backdrop. Vollmann traveled to Japan in April 2011, one month after the catastrophe, to bear witness. His account avoids explanation or heroism, focusing instead on the desolation of the landscape, the invisible radioactive contamination measured in becquerels, sieverts, and millirems, and encounters at the edge of the exclusion zone. The text draws parallels to Gerhard Richter's "September" and Steve Reich's "WTC 9/11," both constructed from the World Trade Center attacks, suggesting that Vollmann treats the Fukushima disaster as a witness by inscribing it in a series. Christophe Kihm provides commentary on the book.
Key facts
- William T. Vollmann's book 'Fukushima. Dans la zone interdite' published by Tristram
- Vollmann traveled to Japan in April 2011, one month after the earthquake and tsunami
- The book addresses the natural and technical catastrophe, including radioactive contamination
- Vollmann's approach is compared to Gerhard Richter's 'September' and Steve Reich's 'WTC 9/11'
- The text is a testimony without explanation or heroism
- Christophe Kihm wrote a commentary on the book
- The disaster involved radiation measured in becquerels, sieverts, and millirems
- The work is part of a series of artistic responses to major events
Entities
Artists
- William T. Vollmann
- Gerhard Richter
- Steve Reich
- Christophe Kihm
Institutions
- Tristram
Locations
- Japan
- Fukushima
- Hiroshima
- Nagasaki
- World Trade Center
Sources
- artpress —