William Kentridge on the Future: Social Tension, Climate Crisis, and the Ancient Heart of Tomorrow

In an interview with Artribune, South African artist William Kentridge (Johannesburg, 1955) discusses his vision of the future, emphasizing social tension, economic inequality, and the climate crisis. He argues that the future can only have an ancient heart, as all visions of tomorrow are described using concepts and metaphors from the past. Kentridge identifies three key challenges: the growing distance between privilege and poverty, the need to create space for the marginalized in both economic and ethical terms, and the urgent need for strategies to reduce climate disaster. He reflects on his creative process, noting that his most representative project is always the next exhibition, and expresses a desire to share the studio process with the public. Kentridge cites influences from Modernism that retained figuration and historical connection, including Max Beckmann, German Expressionism, Goya, and William Hogarth. He emphasizes the importance of Johannesburg's genius loci, drawing inspiration from the city's performers, music, popular traditions, and gold mining history. Regarding the sacred, Kentridge opposes it, citing recent revelations of crimes by churches, including child abuse and religious fanaticism. He advises young artists that most advice goes unheard; only those that resonate internally are heeded.