Will Stovall's German Debut at DREI, Cologne Explores Surveillance Through 17th-Century Lens
Will Stovall is showcasing his inaugural exhibition in Germany at DREI, Cologne, inspired by Luis Vélez de Guevara's 17th-century work featuring a devil that uncovers private lives by lifting roofs. His acrylic and watercolor canvases reinterpret the dynamics of surveillance, a theme that Guevara notably overlooks. Stovall's pieces engage with Diego Velázquez's 'Las Meninas,' exploring the complexities of optical perception and the interplay of technology with visibility and illusion. Born in 1983 in Washington, D.C., he earned an MFA from Bard College and a PhD from Yale University, focusing on Jürgen Habermas. He has spoken at institutions like the Smithsonian American Art Museum and Princeton. Upcoming solo exhibitions include 'Lifeworld Variations' at Château Shatto, Los Angeles (2025), and 'Kant Crisis' at Ulrik, New York (2024).
Key facts
- Will Stovall's first exhibition in Germany is at DREI, Cologne.
- The exhibition is inspired by Luis Vélez de Guevara's 17th-century novel about a devil lifting roofs.
- Stovall's paintings are executed in acrylic and watercolor on canvas.
- The works focus on the technical realizability of surveillance, unlike Guevara's novel.
- Stovall's paintings engage with Diego Velázquez's 'Las Meninas'.
- Stovall was born in 1983 in Washington, D.C.
- He holds an MFA from Bard College and a PhD from Yale University.
- Recent solo exhibitions include 'Lifeworld Variations' at Château Shatto, Los Angeles (2025), and 'Kant Crisis' at Ulrik, New York (2024).
Entities
Artists
- Will Stovall
- Luis Vélez de Guevara
- Diego Velázquez
- Jürgen Habermas
Institutions
- DREI
- Bard College
- Yale University
- Smithsonian American Art Museum
- The Phillips Collection
- Princeton University
- George Washington University
- Château Shatto
- Ulrik
Locations
- Cologne
- Germany
- Madrid
- Washington, D.C.
- Los Angeles
- New York