Whitechapel Gallery's 'Action, Gesture, Paint' Exhibition Sparks Debate on All-Women Shows
The exhibition 'Action, Gesture, Paint: Women in Global Abstraction, 1940-1970' at the Whitechapel Gallery has ignited discussions regarding single-gender showcases. In her essay for the catalogue, Griselda Pollock describes these exhibitions as 'tactically necessary' for addressing sexist narratives. This display includes international abstract artworks, featuring Janet Sobel, whose drip painting method was overlooked by Clement Greenberg yet acknowledged in Jackson Pollock's pieces. Other notable artists are Maliheh Afnan, Janice Biala, Zilia Sánchez, and Else Fischer-Hansen. Although it claims to represent global artists, American creators are prevalent, often referencing male figures like Willem de Kooning. The exhibition, taking place in 2023, prompts reflection on the evolution of feminist critique and the implications of all-women exhibitions.
Key facts
- Exhibition 'Action, Gesture, Paint: Women in Global Abstraction, 1940-1970' at Whitechapel Gallery
- Griselda Pollock writes catalogue essay defending all-women shows as 'tactically necessary'
- Features Janet Sobel's drip paintings dismissed by Clement Greenberg
- Includes works by Maliheh Afnan, Janice Biala, Zilia Sánchez, Else Fischer-Hansen
- Exhibition dominated by American artists despite claims of global scope
- Wall texts reference Jackson Pollock, Willem de Kooning, Robert Motherwell
- Exhibition described as 'celebration' of women artists
- Takes place in 2023 at Whitechapel Gallery in London
Entities
Artists
- Griselda Pollock
- Janet Sobel
- Jackson Pollock
- Maliheh Afnan
- Janice Biala
- Zilia Sánchez
- Else Fischer-Hansen
- Willem de Kooning
- Robert Motherwell
- Pierre Bonnard
Institutions
- Whitechapel Gallery
- ArtReview
Locations
- London
- United Kingdom
- New York