West Australian Ballet's Adelaide Dracula performances use recorded music, sparking union protest

The West Australian Ballet's Adelaide run of Dracula from 17 to 22 April is being performed to a recorded soundtrack instead of live orchestral accompaniment. This decision prompted the Media Entertainment and Arts Alliance to launch its Keep Music Live campaign, with over 500 musicians from Australia and New Zealand protesting. MEAA Musicians Director Paul Davies criticized the move as cost-cutting that devalues live music, disrespects audiences, and denies musicians work. Violinist Nadia Buck expressed disappointment, noting freelance musicians lose opportunities and that recorded music lacks the real-time dynamic between orchestra and dancers. ArtsHub reviewer Dr Diana Carroll observed the recording lacked immediacy and tension compared to live performance. The West Australian Ballet defended its position, stating the Adelaide tour is a four-day trial season without government touring funding, making engagement of an orchestra unsustainable. The company emphasized its commitment to live music, noting it employs performing artists extensively and works with the West Australian Symphony Orchestra and West Australian Philharmonic Orchestra. The recording used features WASO led by Principal Conductor Jessica Gethin, with musicians remunerated per agreement. The ballet company aims to return regularly to Adelaide with live musicians if touring becomes viable. Performances in Perth later in May will feature live music again.