Walter Larteri: Architect-Illustrator Bridges Travel and Symmetry

Genoese illustrator and architect Walter Larteri, 31, is the latest subject of Artribune's illustrator column. Trained at the University of Genoa with a master's in architecture, he worked in Paris, Innsbruck, and Lisbon over four years. His illustrations blend symmetry, rigorous synthesis, and cinematic framing with antique decorative elements, reflecting on architecture's societal role. He cites architects Aires Mateus, Peter Zumthor, and Barozzi/Veiga for their 'sentimental monumentality,' and filmmaker Wes Anderson for his symmetrical obsessions. Larteri's creative process is rooted in travel and study, producing visual notes or future plans. He believes architecture and visual arts have long influenced each other, citing Michelangelo as an example. He sees modern architecture as increasingly transdisciplinary and hybrid, mirroring a diverse society where the temporary and ephemeral are now part of the built environment. His last read was Fabio Genovesi's 'Chi manda le onde'; last film, Taika Waititi's 'Jojo Rabbit.' He aspires to illustrate covers for Domus and The New Yorker. His research stems from the perception that architecture no longer interests the public, driving him to champion the romantic, humanistic architect. Current projects include calibrating his graphic line for architectural communication and developing illustrated architecture itineraries for cities or architects, aiming to engage non-specialists.