Virgilio Sieni's PULCINELLA_Quartet multiplies the Neapolitan mask
Choreographer Virgilio Sieni's PULCINELLA_Quartet, initially announced as a quartet, unexpectedly expands into a quintet or even a sextet if counting the active musician Michele Rabbia. The work explores the Neapolitan mask Pulcinella, seeking its soul but finding excess and inexpressiveness. Dancers Maurizio Giunti, Davide Valrosso, Jari Boldrini, Claudia Calderano, and Lisa Labatut each embody distinct Pulcinella figures: Giunti's anatomical, puppet-like solo; Valrosso's indolent pirouettes; Boldrini's melancholic, unannounced fifth Pulcinella; Calderano's dense, reflective performance where she removes the mask to reveal no face behind it, echoing Giorgio Agamben's idea that Pulcinella liquidates personal problems. Rabbia's rhythmic-percussive score uses everyday objects to create sounds like rustling and creaking, leading to a final scene of a crucifixion in backlight that transforms into a difficult embrace. The piece resists conventional theatrical representation, aiming to pulverize any expectation that the mask must perform.
Key facts
- Virgilio Sieni created PULCINELLA_Quartet.
- The performance was initially announced as a quartet but became a quintet or sextet.
- Michele Rabbia provided rhythmic-percussive music using everyday objects.
- Dancers include Maurizio Giunti, Davide Valrosso, Jari Boldrini, Claudia Calderano, and Lisa Labatut.
- Claudia Calderano removes her mask, revealing no face behind it.
- The work references Giorgio Agamben's writing on Pulcinella.
- The final scene features a crucifixion in backlight turning into an embrace.
- The performance took place in 2018.
Entities
Artists
- Virgilio Sieni
- Maurizio Giunti
- Davide Valrosso
- Jari Boldrini
- Claudia Calderano
- Lisa Labatut
- Michele Rabbia
- Giorgio Agamben
- Stefano Tomassini
Institutions
- Artribune
- Università IUAV di Venezia