Victoria & Albert Museum explores 19th-century ghost photography in Halloween video
For Halloween, the Victoria & Albert Museum in London released a video examining the link between 19th-century spiritualism and early photography. The film draws on the museum's archives to show how long exposure times could create transparent figures resembling ghosts. It features illustrations by Charles Altamont Doyle, newspaper clippings depicting levitating chairs during séances, and early telephone experiments that evoked absent presences. The video also references literary ghost stories by Charles Dickens and Lewis Carroll, who practiced spirit photography, including his 1863 work 'The Dream.' Stereographs—double images giving a 3D illusion—popularized the genre among amateur photographers. The video ends with Cecil Beaton's 1930 self-portrait with a skeleton as a memento mori, followed by a hint of strange presences within the museum itself.
Key facts
- Victoria & Albert Museum released a Halloween video on 19th-century ghost photography.
- The video explains how long exposure times in early photography could create ghost-like transparent figures.
- It features illustrations by Charles Altamont Doyle and newspaper clippings of séances with levitating chairs.
- Early telephone experiments are cited as contributing to the idea of making the absent present.
- Charles Dickens and Lewis Carroll are referenced for their ghost stories and spirit photography.
- Lewis Carroll's 1863 photograph 'The Dream' is an example of spirit photography.
- Stereographs (double images) helped popularize ghost photography among amateurs.
- The video concludes with Cecil Beaton's 1930 self-portrait with a skeleton and a hint of ghosts in the museum.
Entities
Artists
- Charles Altamont Doyle
- Charles Dickens
- Lewis Carroll
- Cecil Beaton
Institutions
- Victoria & Albert Museum
Locations
- London
- United Kingdom