Uffe Isolotto's Centaurs Confront Technology's Myth at Den Frie Copenhagen
Uffe Isolotto, a Danish artist born in 1976 in Copenhagen, delves into the convergence of bodies and machines through themes of biotechnology and transformation. At Den Frie gallery, he showcased "We Walked the Earth: Harnessing," an evolved version of his installation from the 2022 Venice Biennale. This piece portrays centaurs in a transhuman setting within a Danish farmhouse, cluttered with straw, meat, tools, and extraterrestrial items. A male centaur, suspended by a noose, provokes shock, while a female centaur, exhibiting bloodshot eyes and vitiligo, has recently birthed a non-human fetus. The narrative hints at familial tensions amid biological changes driven by ecological and societal issues. Isolotto asserts that the work addresses modern fears about an unpredictable future rather than merely being science fiction.
Key facts
- Uffe Isolotto is a Danish artist born in 1976, lives in Copenhagen, and is part of the Age of Aquarius collective.
- His work addresses biotechnology, bodily metamorphosis, and mind expansion.
- He presented an evolved version of 'We Walked the Earth' at Den Frie gallery in Copenhagen.
- The original installation was shown at the 2022 Venice Biennale.
- The installation features a family of centaurs in a transhuman world set in a Danish farmhouse.
- A male centaur hangs from a noose in a suicide scene.
- A female centaur with bloodshot eyes and vitiligo has just given birth to a non-human fetus.
- Isolotto views technology as a utopian myth that cannot save the world.
Entities
Artists
- Uffe Isolotto
Institutions
- Den Frie
- Age of Aquarius
- Venice Biennale
- Artribune
Locations
- Copenhagen
- Denmark
- Venice