ARTFEED — Contemporary Art Intelligence

TV Series: New Narrative Forms and Collective Writing

publication · 2026-04-24

Modern television programs exhibit an unparalleled level of narrative intricacy, fostering deeper viewer connection and surprising plot developments, influenced by literary serials and gaming. Critics distinguish 'quality TV' from reality formats and episodic shows such as CSI or Starsky and Hutch. Over the last two decades, serialized storytelling has gained prominence, initiated by Twin Peaks (1990-1991) and Dallas (1978-1991). In contrast to conventional series, these new productions feature episodes that rely on one another. Jason Mittell's concept of 'narrative complexity' highlights extended story arcs. Techniques such as flashbacks and voiceovers are frequently utilized. Notable showrunners like David Chase (The Sopranos) and Matthew Weiner (Mad Men) engage in collaborative writing. In France, Plus belle la vie employs 120 staff members each day. Future developments may lead to hybrid formats that cultivate intricate social landscapes for audiences.

Key facts

  • Narrative complexity in TV series enhances identification and plot twists.
  • Two dominant storytelling models: literary serials and video games.
  • Quality TV is distinct from reality TV and episodic series like CSI.
  • Serialized narratives developed over the past 20 years, originating with Twin Peaks or Dallas.
  • New series minimize episodic repetition and maximize differences between episodes.
  • Jason Mittell coined 'narrative complexity' for TV.
  • Techniques include flashbacks, flashforwards, voice-over, and direct address.
  • Writing is collective and hierarchical, with showrunners like David Chase and Matthew Weiner.
  • Plus belle la vie employs 120 people daily, including 15 writers and 25 freelancers.
  • The Wire is compared to a televisual novel or Greek tragedy.
  • Software like Dramatica and StoryMap automate scriptwriting.
  • Interactive series like Accidental Lovers involve real-time viewer participation.
  • The 'effect of world' risks overwhelming viewers but fuels documentary interest.

Entities

Artists

  • Mark Lombardi
  • Laurent Jeanpierre

Institutions

  • artpress
  • HBO
  • Semiotext(e)
  • Les Petits Matins
  • MIT Press
  • Bayard

Locations

  • France
  • United States
  • Baltimore
  • Finland
  • Germany

Sources