Turin's cultural disunity laid bare by failed November art week
Galleria Alessio Moitre director Alessio Moitre publishes a scathing critique of Turin's cultural scene, blaming a lack of coordination and shared vision for the failure of the city's November art week. Moitre describes the event as a 'stubborn exercise in obtuseness,' with galleries, museums, and fairs operating in isolation rather than collaborating. He argues that Turin's identity has been forged on disunity, and that the pandemic only temporarily masked deeper structural problems. Moitre calls for a rewriting of cultural pacts and a renewed commitment to collective planning, warning that without it, the city's art scene will remain impoverished and timid. The piece reflects on the historical legacy of Turin's cultural fragmentation and the need for a more dynamic, experimental approach to overcome it.
Key facts
- Alessio Moitre is a gallerist in Turin.
- The November art week in Turin failed due to lack of coordination.
- Moitre describes the event as an 'exercise of stubborn obtuseness'.
- Turin's cultural disunity has historical roots.
- The pandemic temporarily attenuated disunity but it has returned.
- Moitre calls for rewriting cultural pacts and shared projects.
- Galleries will reopen in December 2020 with creative modalities.
- Moitre questions if Turin can afford cultural dispersion due to lack of planning.
Entities
Artists
- Alessio Moitre
Institutions
- Galleria Alessio Moitre
- Artribune
Locations
- Turin
- Italy