ARTFEED — Contemporary Art Intelligence

Tracey Emin and Louise Bourgeois: A Conversation on Collaboration and Creation

exhibition · 2026-04-23

In a 2010 interview, Tracey Emin discusses her collaborative series with Louise Bourgeois, 'Do not Abandon me', which was first shown at Carolina Nitsch gallery in New York (Sept 9–Nov 13, 2010) and later at Hauser & Wirth in London (Feb 18–Mar 12, 2011). Over two years, Emin added texts, drawings, and gouache to sixteen of Bourgeois's profile body gouaches; the series was also produced as an edition of eighteen canvases. Emin describes her approach as working 'as discreetly as possible' with 'delicacy and lightness'. Bourgeois signed each image with her initials embroidered in red thread. The title 'Do not Abandon Me' was chosen after completion. Emin reveals that Bourgeois encouraged her to take her time. The conversation delves into themes of crucifixion, birth, and death, with Emin rejecting interpretations of the female figure as a child or as being inside a pregnant womb, insisting the figure is a woman placed 'in the world' as a landscape. Emin recounts personal experiences of rape, abortion, and endometriosis that influenced the work. She also mentions plans to curate a Bourgeois exhibition at the Brooklyn Museum the following year. The interview was conducted by Frédérique Joseph-Lowery on October 25, 2010.

Key facts

  • Tracey Emin collaborated with Louise Bourgeois on the series 'Do not Abandon me'.
  • The series was first shown at Carolina Nitsch gallery in New York from Sept 9 to Nov 13, 2010.
  • The exhibition traveled to Hauser & Wirth in London from Feb 18 to Mar 12, 2011.
  • Emin added texts, drawings, and gouache to sixteen of Bourgeois's gouaches over two years.
  • The series was also produced as an edition of eighteen canvases.
  • Bourgeois signed each image with her initials embroidered in red thread.
  • Emin described her approach as 'as discreetly as possible' with 'delicacy and lightness'.
  • Emin rejected the interpretation of the female figure as a child or inside a pregnant womb.
  • Emin stated she wanted to 'put the figure in the world' as a landscape.
  • Emin's personal experiences of rape, abortion, and endometriosis influenced the series.
  • Emin planned to curate a Bourgeois exhibition at the Brooklyn Museum the following year.
  • The interview was conducted by Frédérique Joseph-Lowery on October 25, 2010.

Entities

Artists

  • Tracey Emin
  • Louise Bourgeois

Institutions

  • Carolina Nitsch gallery
  • Hauser & Wirth
  • Brooklyn Museum
  • Maison de Balzac

Locations

  • New York
  • United States
  • London
  • United Kingdom
  • Paris
  • France
  • Australia

Sources