Todorov on Goya's Dark Enlightenment
In 'Goya à l'ombre des Lumières', philosopher Tzvetan Todorov examines Francisco Goya's dualistic oeuvre, arguing that the artist's nocturnal works—such as the Caprichos, Disasters of War, Disparates, and Black Paintings—do not simply oppose reason but represent its blind spot. Todorov contextualizes Goya's life within Spanish history and the Napoleonic invasion, showing how the painter understood that noble ideals do not preclude atrocities committed in their name. The book, published by Flammarion, combines historical biography with iconographic analysis, and draws parallels between Goya's imagery and contemporary iconography of disaster and cruelty. Anaël Pigeat reviewed the work.
Key facts
- Tzvetan Todorov analyzes Goya's complex relationship with Enlightenment rationalism.
- The book is titled 'Goya à l'ombre des Lumières'.
- Published by Éditions Flammarion.
- Goya created both official court paintings and private 'nocturnal' works.
- Nocturnal series include Caprichos, Disasters of War, Disparates, and Black Paintings.
- Todorov interprets 'The Sleep of Reason Produces Monsters' as reason's blind spot.
- Goya witnessed the Napoleonic invasion of Spain.
- Todorov connects Goya's imagery to modern disaster iconography.
Entities
Artists
- Francisco Goya
- Tzvetan Todorov
- Anaël Pigeat
Institutions
- Éditions Flammarion
Locations
- Spain
Sources
- artpress —