Time, Irony, and the Broken Watch: A Philosophical Inquiry
Lucrezia Longobardi delves into the concepts of time and irony through a deeply personal and philosophical perspective, beginning with her non-functioning watch. She references Martin Heidegger’s thoughts on existential disorientation and quotes Gioacchino Belli regarding death’s relationship with clocks, which Ahmet Tanpinar counters by stating that death overlooks them. Longobardi also examines Luciano De Crescenzo's 1980s film "32 December," which humorously questions the nature of time. She posits that irony and humor provide brief moments of understanding. Modern time is portrayed as oppressive, as seen in Lawrence Carroll's White Rabbit from "Alice in Wonderland." Longobardi views wearing a stopped watch as a political statement against connectivity, contributing to social problems such as hikikomori and depression. This essay is part of a series on existential space, referencing the 2019 installations by Liz Magor and Luigi Ghirri at Fondazione Morra in Naples.
Key facts
- Lucrezia Longobardi wrote the essay.
- The essay references Martin Heidegger's question about the uncanny disorientation of existence.
- Gioacchino Belli wrote that death is hidden in clocks.
- Ahmet Tanpinar wrote 'The Institute for the Regulation of Clocks' in 1954.
- Luciano De Crescenzo directed the film '32 December' in the mid-1980s.
- Lawrence Carroll depicted the White Rabbit in 'Alice in Wonderland'.
- Liz Magor and Luigi Ghirri had installations at Fondazione Morra, Naples in 2019.
- The essay discusses hikikomori and depression as forms of alienation.
Entities
Artists
- Lucrezia Longobardi
- Liz Magor
- Luigi Ghirri
- Lawrence Carroll
Institutions
- Fondazione Morra
- Accademia di Belle Arti di Napoli
- Artribune
Locations
- Naples
- Italy