Three Types of Art Brut Collectors: Purists, Aesthetes, Enthusiasts

This article delves into the influence of collectors on the definition of art brut, identifying three types: purists, aesthetes, and enthusiasts. A significant reference point is the Collection de l'Art Brut in Lausanne, established by Jean Dubuffet and currently overseen by Sarah Lombardi. Lombardi emphasizes the institution's commitment to preserving Dubuffet's legacy, including a planned 'biennale of Art Brut' in 2013 and ongoing loans. The criteria for art brut remain consistent, focusing on social aspects (self-taught individuals without a desire for recognition) and aesthetic appeal (subjective appreciation). The 1978 'Singuliers de l'art' exhibition arose from Dubuffet's refusal to allow Alain Bourbonnais to use 'brut.' Bruno Decharme's abcd collection, displayed at La Maison Rouge in late 2014, critiques Dubuffet's vision. Additionally, the Aracine collection, which was donated to LaM in 1996, has hosted exhibitions like 'Habiter poétiquement le monde' (2010-2011) and 'L'Autre de l'art' (2014). Collectors such as Daniel Cordier and Antoine de Galbert appreciate art brut for its beauty, while enthusiasts like James Brett advocate for its integration into contemporary art.