Thomas Hirschhorn's Concordia exhibition at Gladstone Gallery in 2012
In 2012, Thomas Hirschhorn unveiled his installation titled Concordia at Gladstone Gallery, crafting an immersive space that utilized common materials to explore political and philosophical issues. The exhibition was captured in photographs and received a review from artcritical on December 2, 2012. Based in Paris, the Swiss artist delves into topics such as democracy, consumerism, and international strife, creating environments that are both chaotic and structured. The use of inexpensive materials in Concordia underscored the disparities between value and waste within capitalist frameworks. The title evokes notions of harmony amidst visual disorder, reflecting persistent global conflicts. Gladstone Gallery's backing allowed for this intricate project, prioritizing conceptual richness over commercial appeal, while artcritical's critique enriched discussions about Hirschhorn's significance in modern art.
Key facts
- Thomas Hirschhorn presented Concordia at Gladstone Gallery in 2012
- The exhibition featured an immersive installation using everyday materials
- artcritical published a review on December 2, 2012
- Hirschhorn is a Swiss artist based in Paris
- The installation addressed political and philosophical themes
- Gladstone Gallery hosted the solo exhibition
- Hirschhorn's work often critiques consumerism and global conflicts
- The exhibition documentation includes installation photographs
Entities
Artists
- Thomas Hirschhorn
Institutions
- Gladstone Gallery
- artcritical
Locations
- New York
- United States
- Paris
- France
- Switzerland