Thomas Hirschhorn's Clean Aesthetic at Alfonso Artiaco
Thomas Hirschhorn's solo exhibition at Alfonso Artiaco in Naples presents a stark departure from his signature accumulative aesthetic. Instead of chaotic assemblages, the show features orderly poster displays that simulate social media posts, exploring authorship and appropriation. Hirschhorn uses a deliberately naive graphic style reminiscent of Art Brut to critique the overwhelming digital information and influencer culture. The penultimate room reveals the exhibition's mood board, referencing Institutional Critique, Michael Asher, Philippe Parreno, Davide Minuti, and Giulio Paolini, exposing the mechanisms behind art and influence. The exhibition runs at Alfonso Artiaco in Naples in 2021.
Key facts
- Thomas Hirschhorn's solo exhibition at Alfonso Artiaco in Naples
- The show features orderly poster displays instead of accumulative assemblages
- Posters simulate social media posts reflecting on authorship and appropriation
- Hirschhorn uses a naive graphic style referencing Art Brut
- The exhibition critiques digital information overload and influencer culture
- The penultimate room includes a mood board referencing Institutional Critique
- References to Michael Asher, Philippe Parreno, Davide Minuti, and Giulio Paolini
- The exhibition is in Naples in 2021
Entities
Artists
- Thomas Hirschhorn
- Louise Nevelson
- Kurt Schwitters
- Robert Rauschenberg
- Andy Warhol
- Michael Asher
- Philippe Parreno
- Davide Minuti
- Giulio Paolini
- Diana Gianquitto
Institutions
- Alfonso Artiaco
- Artribune
Locations
- Naples
- Italy
- Berna