Theme parks as a model for cultural institutions
Fabio Severino argues that cultural institutions should take inspiration from theme parks, which thrive on business-driven experimentation and innovation. Disneyland Paris employs 15,000 people, attracts nearly 10 million visitors annually, charges €87 per ticket, and generates €1 billion yearly. Theme parks now focus on immersive digital experiences instead of traditional roller coasters: visitors sit in carriages that move and roll while 3D 360-degree films, smells, and vapors create multisensory environments. Universal Studios Los Angeles, no longer a film set, offers about ten rides lasting a few minutes each, with entry at $109 and an express lane option for $70. Severino suggests applying similar immersive techniques to cultural storytelling—covering history, ancient civilizations, wars, explorations, and artists' lives. He proposes transforming Cinecittà from an anachronistic film set into a unique theme park featuring attractions based on films like Gangs of New York, Ben-Hur, and Fellini's works.
Key facts
- Disneyland Paris has 15,000 employees and nearly 10 million annual visitors.
- Disneyland Paris charges €87 per ticket and generates €1 billion yearly.
- Theme parks now use immersive digital experiences with 3D 360° films, smells, and vapors.
- Universal Studios Los Angeles charges $109 entry, plus $70 for express lane.
- Universal Studios offers about ten rides lasting a few minutes each.
- Marco Balich attempted a similar immersive experience with Michelangelo in Rome.
- Severino proposes turning Cinecittà into a theme park based on films.
- Cinecittà could feature attractions from Gangs of New York, Ben-Hur, and Fellini.
Entities
Artists
- Fabio Severino
- Marco Balich
- Michelangelo
- Fellini
Institutions
- Disneyland Paris
- Universal Studios Los Angeles
- Cinecittà
- Artribune Magazine
Locations
- Paris
- France
- Los Angeles
- United States
- Rome
- Italy