Theater as Simulation: Postmodern Stage Theory
Birgit Beumers examines the evolution of theater from illusionistic make-believe to a postmodern 'theater as theater.' For over a century, conventional theater aimed to create empathy through realistic illusion. However, for over 75 years, an opposing tradition has coexisted, pushing spectators toward rational awareness of the spectacle. This postmodern approach uses effects and attractions to enhance theatricality, rejecting emotional manipulation. Beumers situates this shift within broader cultural history, including cinema and architecture.
Key facts
- Birgit Beumers is the author.
- The article is published in ARTMargins Online.
- The article is from October 2000.
- Theater has existed as make-believe for over a century.
- Conventional theater creates illusion of reality on stage.
- Empathy is used to stimulate spectators emotionally.
- A 'theater as theater' tradition has coexisted for over 75 years.
- This tradition pushes spectators toward rational response.
Entities
Artists
- Birgit Beumers
Institutions
- ARTMargins Online
Locations
- Bristol