The Kitchen installation examines female body, invasion rhetoric, and medical discourse
An installation at The Kitchen investigates connections between the female body and medical invasion rhetoric. The light artist's work is described as aesthetically pleasing yet problematic. The exhibition features paintings resembling collages that incorporate geological, biological, and mechanical histories. These works are characterized as Archimboldo-esque coagulations that appear as faces. Associate editor Noah Dillon mentions several unread materials. The show explores themes of science through artistic interpretation.
Key facts
- Installation at The Kitchen explores female body and invasion rhetoric
- Work connects female body with medical discourse
- Light artist's work described as beautiful but problematic
- Exhibition includes Archimboldo-esque coagulations that read as faces
- Features geological-, biological-, and mechanical-history paintings as collage
- Associate editor Noah Dillon shares unread materials
- Show examines science themes through art
- Content tagged under science on artcritical.com
Entities
Artists
- Noah Dillon
Institutions
- The Kitchen
- artcritical