The History and New Fortune of the Chore Coat
The chore coat, a 19th-century work garment worn by English laborers and French street sweepers, and favored by painters like Renoir, van Gogh, and Gauguin, has seen a resurgence since the pandemic began. This soft, unlined long jacket with three large pockets has become a default cover for remote workers worldwide. Its unlined design accommodates various body types, and its pockets are ideal for modern gadgets like smartphones. Available online in materials from denim to stretch wool, it is primarily a men's garment but also suits women drawn to minimalist, utilitarian style. The coat previously returned to fashion in the mid-1970s when Giorgio Correggiari, a lesser-known Italian designer who died in 2011, called it a "shirt-jacket" and offered a super-minimalist version without collar, anticipating Japanese designers. The current revival, however, comes from the bottom up, not from fashion houses except for a J.W. Anderson capsule for Uniqlo. During lockdown, many workers wore sweats over pajamas, but others maintained grooming rituals and donned the chore coat as a psychological marker to separate work from leisure, removing it at 6 PM with a glass of red wine.
Key facts
- The chore coat was used by English laborers and French street sweepers in the 19th century.
- Painters Renoir, van Gogh, and Gauguin wore the chore coat.
- The coat has seen a great return since the start of the pandemic.
- It is unlined, soft, and has three large pockets.
- Giorgio Correggiari revived the chore coat in the mid-1970s, calling it a 'shirt-jacket'.
- Correggiari died in 2011.
- J.W. Anderson designed a capsule for Uniqlo featuring the chore coat.
- The coat is worn as a psychological marker to separate work from leisure during lockdown.
Entities
Artists
- Pierre-Auguste Renoir
- Vincent van Gogh
- Paul Gauguin
- Giorgio Correggiari
- J.W. Anderson
Institutions
- Uniqlo
- Artribune
Locations
- England
- France
- Italy