The Beatles' 'Revolver' at 60: How the Band's Most Acclaimed Album Was Made
Sixty years after its release, the Beatles' 'Revolver' is now widely considered the band's greatest album, surpassing 'Sgt. Pepper's Lonely Hearts Club Band' and 'Abbey Road' in critical esteem. A new video by music YouTuber David Hartley explores the album's production history, drawing on studio outtakes and interviews with the Beatles and their collaborators. Hartley highlights the role of engineer Geoff Emerick, whose memoir 'Here, There, and Everywhere' details how he, at age 20, helped the band realize their experimental sonic ideas, even violating EMI Studios' policies. The album's recording process was marked by experimentation: 'I'm Only Sleeping' once featured a vibraphone, 'Yellow Submarine' began with a spoken-word intro, and 'And Your Bird Can Sing' was interrupted by uncontrollable laughter. The 35-minute album spans diverse themes, from a children's singalong to a song about taxes and one about laziness, all conveying a 'great feeling of joy.' The video is part of Hartley's series on the Beatles, and the article also links to related content, including a review by Ray Davies of the Kinks, who called 'Revolver' 'a load of rubbish.' The author, Colin Marshall, is based in Seoul and writes on cities, language, and culture.
Key facts
- The Beatles' album 'Revolver' was released 60 years ago this month.
- David Hartley released a new video analyzing the making of 'Revolver'.
- Geoff Emerick's memoir 'Here, There, and Everywhere' is a key source.
- Emerick was 20 years old when he worked on the album.
- The album includes experimental elements like a vibraphone on 'I'm Only Sleeping'.
- 'Yellow Submarine' originally had a spoken-word intro.
- The album runs 35 minutes and covers themes from children's songs to taxes.
- Ray Davies of the Kinks called 'Revolver' 'a load of rubbish'.
Entities
Artists
- The Beatles
- David Hartley
- Geoff Emerick
- Ray Davies
- Colin Marshall
Institutions
- EMI Studios
Locations
- Seoul