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Teresa Margolles' 'Periferia dell'agonia' at Mattatoio, Rome

exhibition · 2026-04-27

Teresa Margolles' exhibition 'Periferia dell'agonia' at Mattatoio in Rome confronts the viewer with violence and indifference. The show, part of the curatorial project 'Dispositivi Sensibili,' includes installations both inside and outside the venue, with actions and documentation on the urban scene. In Padiglione 9 B, a dramatic scarlet atmosphere makes the environmental installation immersive, alluding to 'a pierced, wounded, stabbed body that can be traversed.' Margolles, born in Culiacán in 1963 and trained as a forensic pathologist, draws from her work in Mexican morgues, presenting material traces of border crimes as relics of a world that has distanced death. The exhibition references Susan Sontag's 'Regarding the Pain of Others' and the idea that 'remembering is an ethical act.' Margolles shields the viewer from macabre details, instead evoking horror through its power. The show also resonates with current events in Ukraine, urging the audience not to be mere spectators but to bear witness.

Key facts

  • Teresa Margolles' exhibition 'Periferia dell'agonia' is at Mattatoio, Rome.
  • The show is part of the curatorial project 'Dispositivi Sensibili.'
  • Installations are inside and outside the venue, including urban actions.
  • In Padiglione 9 B, a scarlet immersive installation alludes to a wounded body.
  • Margolles was born in Culiacán in 1963 and trained as a forensic pathologist.
  • Her work originates from Mexican morgues and presents traces of border crimes.
  • The exhibition references Susan Sontag's 'Regarding the Pain of Others.'
  • The show responds to current events in Ukraine.

Entities

Artists

  • Teresa Margolles
  • Susan Sontag

Institutions

  • Mattatoio
  • Azienda Speciale Palaexpo Mattatoio
  • Artribune

Locations

  • Rome
  • Italy
  • Culiacán
  • Mexico
  • Ukraine

Sources