Tavares Strachan Prepares Bahamas Pavilion at Venice Biennale with Arctic Expedition Themes
Tavares Strachan will represent The Bahamas at the Venice Biennale with a pavilion located in the Arsenale. His exhibition, developed over three years, explores concepts of distance, displacement, and invisibility, informed by a recent journey to the North Pole from Svalbard. Strachan questions the notion of national representation, noting that while it carries responsibility for the 40-year-old nation's first pavilion, artists primarily represent themselves. He views the Biennale as a conflicted space rooted in 19th-century nationalism within Venice's precarious, flood-prone environment. The artist anticipates opening week as a mob scene based on friend Michael Joo's experience with the Korea pavilion. Strachan looks forward to visiting Bentigod restaurant in Venice for a Negroni. A full profile appears in ArtReview's summer issue.
Key facts
- Tavares Strachan represents The Bahamas at the Venice Biennale
- The Bahamas pavilion is located in the Arsenale
- The exhibition has been in development for over three years
- Strachan traveled to the North Pole from Svalbard for research
- Themes include distance, displacement, and invisibility
- This is The Bahamas' first representation at the Biennale
- The Bahamas is 40 years old
- Strachan mentions artist Michael Joo's previous Korea pavilion installation
Entities
Artists
- Tavares Strachan
- Michael Joo
Institutions
- Venice Biennale
- ArtReview
- The Bahamas pavilion
- Korea pavilion
Locations
- Venice
- Italy
- Arsenale
- Svalbard
- North Pole
- Giardini
- The Bahamas