Tate Tops ArtReview's 2014 Power 100 as Museums Gain Global Influence
In November 2014, ArtReview unveiled its Power 100 list for 2014, marking a notable change in the art scene as London's Tate secured the number one position for the first time since the list began in 2002. A confidential group of 26 individuals from cities including Delhi, Shanghai, New York, and Berlin curated the rankings, which emphasize distribution over production. Key factors considered were the influence on contemporary art, recent initiatives, global presence, and public perception. This list showcases a more decentralized art environment, with museums rising in significance worldwide; for instance, China inaugurated 450 new museums in 2012. The Whitney Biennial's inclusion of critics and publishers blurred traditional roles, while existing access hierarchies echo historical courts, questioning the concept of a unified global art community.
Key facts
- ArtReview's Power 100 list for 2014 was published in November 2014.
- Tate in London is the first institution to top the list since its inception in 2002.
- The list is compiled by a secret panel of 26 operatives across 12 cities worldwide.
- Criteria include influencing art production, recent activity, international impact, and shaping public perception.
- Museum attendance has more than doubled globally over the past 20 years.
- China opened 450 new museums in 2012.
- Tate operates as a global art sifter, consulting for projects in Australia and Asia.
- The Whitney Biennial included critics and publishers in its 2014 exhibition.
Entities
Artists
- Richard Tuttle
Institutions
- ArtReview
- Tate
- Tate Modern
- Tate Britain
- Whitney Biennial
- Whitechapel Gallery
- The Economist
Locations
- New York
- United States
- London
- United Kingdom
- Paris
- France
- Shanghai
- China
- Beijing
- Delhi
- India
- Los Angeles
- Mexico City
- Mexico
- São Paulo
- Brazil
- Dubai
- United Arab Emirates
- Berlin
- Germany
- Milan
- Italy
- Tasmania
- Australia
- Sweden