Tate Modern’s ‘Nigerian Modernism’ Surveys Postcolonial Art

The Tate Modern in London is showcasing 'Nigerian Modernism,' marking the first exhibition in the UK to examine how Nigerian artists developed a shared postcolonial identity throughout the 20th century. The exhibit begins with Aina Onabolu (1882–1963), who established a new art curriculum in Eko (precolonial Lagos) in 1923, featuring a triptych of oil paintings that merge European academic techniques with Nigerian themes. A special section is dedicated to Benedict Enwonwu (1917–94), the first African modernist recognized globally, displaying works like 'Black Culture' (1986) and 'Storm over Biafra' (1972), along with large wooden sculptures commissioned in 1961. The Zaria Art Society, represented by Uche Okeke (1933–2016), includes Jimo Akolo’s 'Fulani Horsemen' (1962) and Clara Etso Ugbodaga-Ngu’s 'Yoruba Palm Wine Seller' (1963). Curated by Osei Bonsu and Bilal Akkouche, the exhibition will be on view until May 10, although it has faced criticism for emphasizing a wide range of works without providing adequate historical context regarding the Igbo, Hausa, Yoruba, Christian, and Islamic influences.