Tarsila do Amaral's Self-Portraits and Flávio de Carvalho's Experimental Legacy Examined in Anthropophagy Context

The article explores the relationship between anthropophagy and modernism through specific artistic examples. Tarsila do Amaral's self-portraits are analyzed in their third part, focusing on how a foundational image has undergone multiple reinterpretations. Brazilian artist Flávio de Carvalho is presented as embodying continuous experimentation throughout his career. These examinations appear within a broader discussion of anthropophagic concepts versus modernist frameworks. The content suggests a critical reevaluation of these artists' works through contemporary theoretical lenses. No specific exhibition dates or locations are provided in the source material. The analysis appears to be part of a series or thematic exploration published by Arte Brasileiros. The focus remains on artistic reinterpretation and conceptual frameworks rather than specific events.