ARTFEED — Contemporary Art Intelligence

Taranto: A Journey Through Beauty and Contradictions

publication · 2026-04-27

Christian Caliandro explores Taranto, a city of stark contrasts, through a personal and historical lens. He references Pier Paolo Pasolini's 1959 visit, who described Taranto as "a gigantic diamond in fragments" and "a perfect city." In the Cathedral of San Cataldo, a 1160 mosaic by Petroius depicts Alexander the Great's flight, interpreted as either an allegory of pride or of salvation. Caliandro recounts a visit to Antonio Mariano's workshop, a space filled with paintings and model ships, where Mariano shared a 1964 encounter with Elvis Presley at Malpensa Airport. The narrative weaves together the city's layered history, its abandoned yet inhabited buildings, and the personal stories that define its character. The article is published in Artribune Magazine #65.

Key facts

  • Christian Caliandro wrote the article for Artribune Magazine #65.
  • Pier Paolo Pasolini visited Taranto in July 1959.
  • Pasolini described Taranto as 'a gigantic diamond in fragments'.
  • The Cathedral of San Cataldo has a 1160 mosaic by Petroius showing Alexander the Great's flight.
  • Antonio Mariano's workshop contains paintings and model ships.
  • Mariano met Elvis Presley at Malpensa Airport in 1964.
  • Mariano was 17 years old at the time of the encounter.
  • The article is part of a series on cultural tourism.

Entities

Artists

  • Christian Caliandro
  • Pier Paolo Pasolini
  • Petroius
  • Antonio Mariano
  • Elvis Presley
  • Little Tony
  • Alessandro Bulgini
  • Ginevra Pucci
  • Victor Schmidt
  • Giuseppe Blandamura

Institutions

  • Artribune
  • Accademia di Belle Arti di Firenze
  • Symbola Fondazione per le Qualità italiane

Locations

  • Taranto
  • Italy
  • Ventimiglia
  • Trieste
  • Cathedral of San Cataldo
  • Santa Maria di Costantinopoli
  • Via Duomo
  • Malpensa Airport
  • Milan
  • Memphis

Sources