Tang Yongxiang's 'People / Tree / Feet' exhibition at TANK Shanghai explores moderateness against impermanence
At TANK Shanghai, Tang Yongxiang's exhibition titled 'People / Tree / Feet' is currently on display, featuring works that expand upon his artistic approach from 2012. His creative process begins with spontaneous photography, which evolves into layered paintings that reflect themes of 'moderateness' and 'impermanence.' Chien-Hung Huang's accompanying text places this work within the context of modern China, mentioning filmmakers such as Jia Zhangke, Lou Ye, and Wang Xiaoshuai. The pandemic has heightened awareness of the fragility of our planet, influenced by global supply chains. Tang's artwork promotes a return to moderation, highlighting intuition in a world saturated with images. The text also critiques the commercialization of daily life in contemporary art and calls for a harmonious coexistence of humans and machines, advocating for an evolution towards cyborgs enriched with vitality.
Key facts
- Tang Yongxiang's solo exhibition 'People / Tree / Feet' is open at TANK Shanghai.
- The exhibition extends the painterly methodology he established in 2012.
- His process begins with spontaneous photographs from everyday life as a foundation for paintings.
- Works signify 'moderateness,' a concept that whispers of 'impermanence.'
- The exhibition text is written by Chien-Hung Huang.
- The text references sixth-generation Chinese filmmakers Jia Zhangke, Lou Ye, and Wang Xiaoshuai.
- Impermanence is described as the defining condition of 'lifescape' in post-1990s China.
- The pandemic has escalated circumstances, forcing confrontation with planetary impermanence.
Entities
Artists
- Tang Yongxiang
- Chien-Hung Huang
- Jia Zhangke
- Lou Ye
- Wang Xiaoshuai
Institutions
- TANK Shanghai
- Museum of Contemporary Art, Taipei
- ArtAsiaPacific
Locations
- Shanghai
- China
- Taipei
- Taiwan