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Susan Rothenberg's Drawing Retrospective at Sperone Westwater Explores Tension Between Abstraction and Representation

exhibition · 2026-04-22

The exhibition "Susan Rothenberg, Drawings 1974-2004" was displayed at Sperone Westwater in New York until 18 December 2004. It highlighted Rothenberg's artistic journey over thirty years, illustrating a dynamic interplay between exploration and structure. Her early 1970s horse drawings merge abstraction with naturalism, including a 1974 piece reminiscent of Theo Van Doesburg. The 1980s brought forth grotesque human forms, while her late 1980s works, inspired by her dance background, showcased movement. The drawings from the 1990s further amplified this tension, featuring one that captures a yoga pose. Robert Storr described her gestures as explorative, connecting her to Abstract Expressionists. Rothenberg's style shares similarities with Cy Twombly, emphasizing texture and surface. This retrospective was first published in the New York Sun on 25 November 2004.

Key facts

  • Exhibition "Susan Rothenberg, Drawings 1974-2004" ran through 18 December 2004
  • Show at Sperone Westwater, 415 West 13 Street, New York
  • Early horse drawings oscillate between abstraction and naturalism
  • 1974 untitled work uses masking tape on wax-coated paper
  • Human forms appear grotesquely in 1980s works
  • Dance drawings from 1990 show tension between awkwardness and fluency
  • Robert Storr wrote catalogue introduction comparing her to Abstract Expressionists
  • Rothenberg performed in Joan Jonas's "Jones Beach Piece" in 1970

Entities

Artists

  • Susan Rothenberg
  • Bruce Nauman
  • Hilton Kramer
  • Robert Storr
  • Cy Twombly
  • Antoni Tàpies
  • A.R. Penck
  • Georg Baselitz
  • Alberto Giacometti
  • Philip Guston
  • Pierre Bonnard
  • George Stubbs
  • Theo Van Doesburg
  • Eadweard Muybridge
  • Joseph Beuys
  • Joan Jonas

Institutions

  • Sperone Westwater
  • New York Sun

Locations

  • New York
  • United States
  • Lascaux
  • France

Sources