Susan Hiller's Paraconceptual Practice and Lasting Legacy
Susan Hiller (1940-2019) was a pioneer of 'paraconceptual' art, blending anthropology with a critique of Western culture. Originally from Cleveland, Ohio, she studied film, photography, and linguistics in New York before shifting her focus to anthropology at Tulane University, ultimately leaving her doctoral pursuits to become an artist in London. During the 1960s and 70s, she redefined painting materials, questioning the permanence of art. Her series, including Measure by Measure (1973), Painting Books and Blocks (1972-84), and Work in Progress (1980), delved into themes of fragility and iconoclasm. Significant pieces include For An Entertainment (1990), Freud Museum (1991-97), and The J Street Project (2002-05). At documenta14 (2017), she showcased The Last Silent Movie (2007-08) and Lost and Found (2016), inviting audiences to reflect on cultural subconscious.
Key facts
- Susan Hiller (1940-2019) coined the term 'paraconceptual' for her practice.
- She studied anthropology at Tulane University before becoming an artist.
- Her early works involved burning, folding, and unraveling canvas.
- Series include Measure by Measure (from 1973), Painting Books and Blocks (1972-84), and Work in Progress (1980).
- An Entertainment (1990) filmed Punch and Judy shows across Britain.
- From the Freud Museum (1991-97) included fifty objects referencing Sigmund Freud's collection.
- The J Street Project (2002-05) documented German streets with Jewish names.
- At documenta14 (2017), she exhibited The Last Silent Movie (2007-08) and Lost and Found (2016).
Entities
Artists
- Susan Hiller
Institutions
- Tulane University
- documenta14
- OGR Torino
- Artribune
Locations
- Cleveland
- Ohio
- New York
- London
- Berlin
- Kassel
- Athens
- Germany
- Britain