Sula Bermúdez-Silverman's First Solo Museum Exhibition Explores Identity Through Ephemeral Materials
From 28 February 2020 to 2 May 2021, Sula Bermúdez-Silverman unveiled her first solo museum exhibition, titled 'Neither Fish, Flesh, nor Fowl,' at the California African American Museum in Los Angeles. This showcase comprised six pieces that delve into her Afro-Puerto Rican and Jewish roots, set against the backdrop of pandemic restrictions and a surge in racial justice movements. Her artistic approach merges collecting and constructing to explore the concept of fluid identity, utilizing materials such as personal belongings and ticket stubs. A highlight of the exhibition is a collection of ten dollhouses made of sugar and glass, which allude to the history of Puerto Rican plantations. Video pieces depict Rachel Dolezal braiding Bermúdez-Silverman's hair, while the display contrasts religious artifacts with modern objects, repurposing discarded items into archival works that provoke questions about artistic classification.
Key facts
- Sula Bermúdez-Silverman's first solo museum exhibition ran from 28 February 2020 to 2 May 2021
- The exhibition was held at the California African American Museum in Los Angeles
- Six central works explored the artist's Jewish and Afro-Puerto Rican heritage
- The show spanned 14 months during pandemic lockdowns and racial justice protests
- Featured works included transparent plastic quilts containing found detritus
- Ten sugar-and-glass dollhouses referenced Puerto Rican sugarcane plantation history
- Video installations featured Rachel Dolezal (Nkechi Diallo) braiding the artist's hair
- Materials included the artist's own hair, used in sculptures and embroidered works
Entities
Artists
- Sula Bermúdez-Silverman
- Andy Warhol
- Rachel Dolezal
- Nkechi Diallo
Institutions
- California African American Museum
- NAACP
Locations
- Los Angeles
- California
- United States
- Red Hook
- New York
- Austin
- Texas
- Puerto Rico