Suki Seokyeong Kang's Multidisciplinary Practice Explores Bodily Narratives Through Sculpture and Performance

Key facts

• Suki Seokyeong Kang's work spans painting, sculpture, installation, and performance
• Grandmother Tower (2011–13) was created during her grandmother's final illness
• The sculpture's height and posture mimic her grandmother's diminishing physical capacity
• Modular units are constructed from industrial dish carriers wrapped in thread or leather
• No unit exceeds average human body weight
• Kang studied traditional Korean painting at Ewha Woman's University in Seoul
• She earned an MA in painting from London's Royal College of Art in 2012
• Land Sand Strand (2016–18) was shown at the 2018 Liverpool Biennial
• Performers incorporate movements from the Chuangemu (Spring Oriole Dance)
• Choreography follows fifteenth-century jeongganbo notation
• Current work appears at the Venice Biennale's Arsenale and Central Pavilion
• Kang is a professor of Korean painting at Ewha Woman's University
• Curator Sungwon Kim has written about her genre-defying practice
• The Circled Stairs series (2011–) uses stacked walking frames
• Black Mat Oriole (2017) is a multimedia installation
• Her work invites viewer interpretation rather than providing explicit narrative