Stuart Middleton's 'Beat' at ICA London strips gallery to bare architecture, featuring a looping video of a black dog
Stuart Middleton's exhibition titled 'Beat' took place at the Institute of Contemporary Arts in London from 6 May to 2 July, exploring the intersection of artwork and architecture. The lower gallery showcased exposed steel and masonry, with an invigilator positioned on a wooden platform against a backdrop of burnt ochre brickwork. Meanwhile, the upstairs gallery featured a large screen displaying a stop-motion animation of a black dog engaging in routine activities. This exhibition draws parallels to Joseph Beuys's 1974 performance, Jean Genet's commentary on Giacometti's dog sculpture, and Marcel Duchamp's 'R. Mutt' from 'Fountain' (1917). Accompanying the exhibition, Middleton's short story critiques overlooked creativity in 'motorway network hospitality,' concluding with the phrase 'I quit.' The September 2017 issue of ArtReview included a review of the exhibition.
Key facts
- Exhibition 'Beat' by Stuart Middleton at Institute of Contemporary Arts, London
- Dates: 6 May to 2 July
- Lower gallery stripped to expose steel and masonry, with invigilator on reclaimed floorboard platform
- Upstairs gallery bare with a screen showing stop-motion animation of a black dog
- Video loops every few minutes, depicting dog behaviors like dreaming and barking
- References include Joseph Beuys's 1974 performance, Giacometti's dog sculpture, and Duchamp's 'R. Mutt'
- Precursor is Cerith Wyn Evans's 2006 ICA exhibition
- Artist's short story lampoons culture of self-proclaimed artists and ends with 'I quit'
Entities
Artists
- Stuart Middleton
- Martin Creed
- Cerith Wyn Evans
- Joseph Beuys
- Jean Genet
- Alberto Giacometti
- Marcel Duchamp
Institutions
- Institute of Contemporary Arts
- Tate Britain
- ArtReview
Locations
- London
- United Kingdom
- New York
- United States