Storytellers as essential mediators of art's meaning
The article argues that art requires storytelling to convey its deeper meanings, using Caravaggio's 'The Calling of Saint Matthew' (1599–1600) in the Contarelli Chapel, Rome, as a case study. The painting depicts Matthew, a tax collector, being called by Jesus—a story that resonates with the concept of vocation. The author, Giovanni Carrada, contends that without shared narratives, artworks lose their power to connect with audiences. He emphasizes that storytellers must go beyond art history, drawing from religion, psychology, and current events to reveal meanings that speak to contemporary viewers. The piece concludes that as AI challenges human identity, art's role in providing shared significance becomes even more critical, and that the storyteller's job is to spark curiosity and imagination by exploring bold interpretations.
Key facts
- Caravaggio's 'The Calling of Saint Matthew' was painted between 1599 and 1600.
- The painting is located in the Contarelli Chapel, Church of San Luigi dei Francesi, Rome.
- Matthew was a tax collector for the Roman Empire, seen as a collaborator.
- The story of Matthew's vocation involves Jesus saying 'Follow me' and Matthew immediately leaving his wealth.
- Viktor Frankl, an Austrian psychiatrist and Holocaust survivor, argued that those with a sense of mission survived Auschwitz.
- The article is by Giovanni Carrada on Artribune.
- The piece is part of a series called 'Il Martello di Michelangelo'.
- The author argues that shared meanings are essential for art to connect with audiences.
Entities
Artists
- Caravaggio
- Giovanni Carrada
- Viktor Frankl
- Socrate
Institutions
- Artribune
- Contarelli Chapel
- Church of San Luigi dei Francesi
Locations
- Rome
- Italy
- Auschwitz