Stop-Motion Short 'Souvenir' Explores Father-Daughter Bond
Paloma Canonica and Cristina Vilches spent two years creating the stop-motion animated short 'Souvenir', produced by The New Yorker. The film was developed in an abandoned market in Zaragoza, Spain, where the filmmakers drew inspiration from discarded objects found on site. The story follows a little girl and her father through adventures in real and imaginary worlds, with the girl's blue glasses and the father's pipe serving as key character motifs. The animation is a nostalgic exploration of family affection and the passage of time, with objects acting as silent witnesses to life.
Key facts
- Paloma Canonica and Cristina Vilches directed the short film 'Souvenir'.
- The film was produced by The New Yorker.
- Production took two years in an abandoned market in Zaragoza, Spain.
- The story features a girl and her father traveling through different worlds.
- The girl's blue glasses and the father's pipe are recurring objects.
- The film uses stop-motion animation.
- The filmmakers were inspired by abandoned objects found at the market.
- The short explores themes of family affection and memory.
Entities
Artists
- Paloma Canonica
- Cristina Vilches
Institutions
- The New Yorker
- Artribune
Locations
- Zaragoza
- Spain