Stephen Cripps's Unrealized Mechanical Garden Reimagined in Dilston Grove Installation
At Dilston Grove, The Mechanical Garden installation was crafted by Ben Burgis, Stuart Middleton, and Richard Sides, under the curation of Naomi Pearce. This work reinterprets a concept by British artist Stephen Cripps (1952–82). Inside the former church, a network of debris, mattresses, and waste surrounds an artificial pond situated at the altar. Visitors can relax on makeshift seating while experiencing a sound piece by Alice Hattrick, which features interviews, construction noises, and inputs from Z'EV and Steven Warwick. An essay by Patrick Langley explores the history of gardens, while Hattrick shares recollections from Cripps's acquaintances. The Woodmill group is searching for a new venue. This installation juxtaposes Cripps's functional art with discarded materials, evoking a dystopian narrative.
Key facts
- The installation is based on Stephen Cripps's unrealized Mechanical Garden design
- It is located in the derelict early twentieth-century Dilston Grove church
- Artists Ben Burgis, Stuart Middleton, and Richard Sides created the work
- Curator Naomi Pearce organized the exhibition
- The sound piece includes contributions from Z'EV and Steven Warwick
- Alice Hattrick and Patrick Langley contributed written essays
- The Woodmill studio-and-gallery-space group produced the exhibition
- The review was published in ArtReview's December 2014 issue
Entities
Artists
- Ben Burgis
- Stuart Middleton
- Richard Sides
- Stephen Cripps
- Naomi Pearce
- Alice Hattrick
- Z'EV
- Steven Warwick
- Patrick Langley
- Jonathan Harvey
- Richard Wilson
- Anne Bean
- Laura Oldfield Ford
- Simon Werner
Institutions
- The Woodmill
- ArtReview
- ACME studios
Locations
- Dilston Grove
- London
- United Kingdom
- Bermondsey
- Butler's Wharf
- Berlin
- Germany