Stéphane Bex's 'Terreur du voir' Analyzes Found Footage Cinema
Stéphane Bex's book 'Terreur du voir. L’expérience found footage' renews the concept of found footage and analyzes the phenomenon of faux-amateur cinema initiated in 1999 by 'The Blair Witch Project'. Published by Rouge Profond in the 'Débords' collection, the work was reviewed in artpress n°438, November 2016, page 84. The review titled 'Imager la terreur. L’hypothèse du film trouvé' discusses Bex's examination of the found footage hypothesis in horror cinema.
Key facts
- Stéphane Bex authored 'Terreur du voir. L’expérience found footage'
- The book is published by Rouge Profond in the 'Débords' collection
- It analyzes the faux-amateur cinema trend started by 'The Blair Witch Project' in 1999
- The review appears in artpress n°438, November 2016, page 84
- The review title is 'Imager la terreur. L’hypothèse du film trouvé'
- The book renews the concept of found footage
Entities
Artists
- Stéphane Bex
Institutions
- Rouge Profond
- artpress
Sources
- artpress —