Stefano Oliva on the Mystical, Language, and Music
In an interview, Stefano Oliva, professor of aesthetics and researcher, discusses his work on the mystical, language limits, and music. He draws on Ludwig Wittgenstein and Simone Weil to argue that the mystical is not opposed to rationality but reveals a fundamental, felt condition central to aesthetic experience. Oliva explores the 'sentimental character' of the mystical, distinguishing it from everyday perception by a different way of feeling the world. He examines the relationship between mysticism, aesthetics, and psychoanalysis as 'losing' sciences that challenge dominant scientific models. On music, Oliva applies Luigi Pareyson's theory of formativity and Wittgenstein's later philosophy to argue that music is a self-contained form, not a vehicle for emotions. He suggests music, as a 'language of languages' (Luciano Berio), sheds communication to become pure gesture and voice.
Key facts
- Stefano Oliva is a professor of aesthetics and researcher.
- Oliva's research focuses on aesthetics as philosophy and language.
- He discusses the mystical in relation to Wittgenstein and Simone Weil.
- The mystical is seen as a condition for knowledge linked to aesthetic experience.
- Oliva describes the mystical as a change of aspect where the habitual appears unfamiliar.
- He distinguishes the mystical view from everyday perception by a different way of feeling.
- Oliva's book 'L'elefante e il poeta' addresses mysticism, aesthetics, and psychoanalysis.
- He uses Pareyson's formativity and Wittgenstein to analyze music.
- Music is understood as a self-contained form, not a vehicle for emotions.
- Oliva cites Luciano Berio's idea of music as a 'language of languages'.
Entities
Artists
- Stefano Oliva
- Ludwig Wittgenstein
- Simone Weil
- Luigi Pareyson
- Luciano Berio
- Alain Badiou
- Michel de Certeau
- Susanne Langer
Institutions
- Scuola IMT Alti Studi Lucca
- Artribune
Locations
- Lucca
- Italy