Spider-Man: Across the Spider-Verse references contemporary art in Guggenheim scene
In the animated film Spider-Man: Across the Spider-Verse, a scene set at the Guggenheim Museum in New York features the Vulture, a Renaissance-inspired villain, criticizing contemporary art. The character, drawn in a Renaissance style, destroys a magenta Balloon Dog by Jeff Koons, which is credited in the film's end titles. Spider-Gwen confronts him, quipping that the art is 'more of a social commentary.' The film's visual style incorporates elements from comic history, Pop Art, and references to artists like Jeff Koons and techniques such as Ben-Day dots, echoing Lichtenstein. The sequence also includes a glass ceiling collapse and a helicopter caught in webs, with a visitor exclaiming 'I think it's a Banksy.' The film is a sequel to the acclaimed first chapter, featuring Miles Morales and multiple Spider-People from parallel universes.
Key facts
- The Vulture criticizes contemporary art at the Guggenheim Museum in Spider-Man: Across the Spider-Verse.
- The Vulture is designed in a Renaissance style, inspired by Leonardo da Vinci.
- He destroys a magenta Balloon Dog by Jeff Koons, which is credited in the film.
- Spider-Gwen responds to the Vulture's criticism by saying the art is 'more of a social commentary.'
- The film's visual style includes Ben-Day dots, chiaroscuro, and references to Lichtenstein and Jeff Koons.
- A visitor in the scene mistakes the chaos for a Banksy artwork.
- The film is a sequel to Spider-Man: Into the Spider-Verse and features multiple Spider-People from different universes.
- The Guggenheim building, designed by Frank Lloyd Wright, is depicted with its concentric galleries.
Entities
Artists
- Jeff Koons
- Leonardo da Vinci
- Roy Lichtenstein
- Banksy
- Frank Lloyd Wright
- F.W. Murnau
Institutions
- Guggenheim Museum
- Marvel
- Sony
- Artribune
Locations
- New York
- United States
- Fifth Avenue