Sophia Al-Maria and Lydia Ourahmane Examine England's Myths at Spike Island
At Spike Island in Bristol, the exhibition 'Grey Unpleasant Land' showcases the collaborative efforts of artists Sophia Al-Maria and Lydia Ourahmane, who delve into the national myths of England. Through a mix of historical artifacts, speculative storytelling, and legal concepts, the exhibition addresses issues of inheritance, ownership, and belonging from the viewpoint of immigrants to the UK. Notable pieces include 'Job Lot (late 1700s/2024)' and 'Silver Service (1774/2024)', a diptych featuring 240 chamber pots from Graham Randles, whose family owns a Liverpool pub, and George III silver from Sir William Bellingham, stored in NatWest vaults. This diptych is set for auction in 2025. 'Birthright (2024)' questions the legitimacy of rulers with a Scottish sandstone pallet linked to the Stone of Scone. 'A Blessing and a Betrayal (2024)' reinterprets the tale of Esau and Jacob through AI-generated text. 'Framing Device I' includes display fittings for the Wilton Diptych (c. 1395–1399), acquired by the National Gallery in 1929. 'Fly Tip (2024)' features discarded items found in Bristol, while 'Curtain (2024)' retrieves a red velvet drape from a Belgravia mews. On 14 September 2024, the artists placed an ad in The Spectator Magazine inviting landed gentry to donate land to nobody, raising legal questions. The exhibition is ongoing at Spike Island, Bristol.
Key facts
- Exhibition 'Grey Unpleasant Land' by Sophia Al-Maria and Lydia Ourahmane at Spike Island, Bristol.
- Artists are immigrants to the UK, critically re-examining England's narratives.
- Works include 'Job Lot' (240 chamber pots) and 'Silver Service' (George III silver), set for auction in 2025.
- Graham Randles inherited the chamber pots; Sir William Bellingham inherited the silver from NatWest vaults in Stockport.
- 'Birthright' uses sandstone from the Stone of Scone seam to question born rulers.
- 'A Blessing and a Betrayal' is a medieval-style diptych with AI-generated text about Esau and Jacob.
- 'Framing Device I' features display fittings for the Wilton Diptych (c. 1395–1399), acquired by the National Gallery in 1929.
- On 14 September 2024, artists placed an ad in The Spectator seeking landowners to gift land to nobody.
Entities
Artists
- Sophia Al-Maria
- Lydia Ourahmane
- Graham Randles
- Sir William Bellingham
Institutions
- Spike Island
- National Gallery
- NatWest
- The Spectator Magazine
Locations
- Bristol
- Liverpool
- Stockport
- Scotland
- Belgravia
- England
- United Kingdom