Sokurov's Go.Go.Go. at Vicenza's Teatro Olimpico Blends Cinema and Theatre
Russian filmmaker Aleksandr Sokurov premiered his theatrical work Go.Go.Go. at the Teatro Olimpico in Vicenza as part of the 69th cycle of classical theatre performances. In an interview, Sokurov described theatre as a living organism that changes nightly, contrasting it with film, which he called 'dead' upon release. The performance begins with a crowd gathered to watch Fellini's Roma, interrupted by Italian director Paolo Bertoncello. Two rat-men, Tullio (Max Malatesta) and Publio (Michelangelo Dalisi), scavenge knowledge by eating books and drinking cinema from a puddle. They are tempted by cheese in a mausoleum dedicated to a saint, but poet Iosif Brodsky (Elia Schilton) warns them. Anna Magnani (Karina Arutyunyan) ultimately gives them the cheese, enslaving them to a grim fate. Sokurov's cinematic language shapes the narrative, drawing parallels to his film Faust and exploring themes of insatiable desire. The director positions the camera in the audience's perspective, creating a continuous sequence that captures what film editing typically misses. Sokurov sees theatre as a defense of humanity, an antibody against destructive forces.
Key facts
- Aleksandr Sokurov premiered Go.Go.Go. at Teatro Olimpico in Vicenza for the 69th cycle of classical theatre performances.
- Sokurov describes theatre as a living, changing entity each night, unlike film which he calls 'dead' upon release.
- The performance begins with a crowd watching Fellini's Roma, interrupted by director Paolo Bertoncello.
- Two rat-men characters, Tullio (Max Malatesta) and Publio (Michelangelo Dalisi), eat books and drink cinema from a puddle.
- Poet Iosif Brodsky (Elia Schilton) appears on stage, reminding the rat-men of poetry's value.
- Anna Magnani (Karina Arutyunyan) gives the rat-men cheese, leading to their enslavement and death.
- Sokurov's cinematic language shapes the narrative, connecting Go.Go.Go. to his film Faust and themes of insatiable desire.
- The director places the camera in the audience's perspective, creating a continuous sequence that captures what film editing misses.
Entities
Artists
- Aleksandr Sokurov
- Federico Fellini
- Paolo Bertoncello
- Max Malatesta
- Michelangelo Dalisi
- Elia Schilton
- Karina Arutyunyan
- Iosif Brodsky
- Anna Magnani
Institutions
- Teatro Olimpico
- Artribune
Locations
- Vicenza
- Italy