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Sofía Salazar Rosales Merges Poetry, Dance, and Sculpture at ChertLüdde

exhibition · 2026-04-24

Sofía Salazar Rosales, an artist influenced by her Ecuadorian and Cuban heritage and trained in Paris, Lyon, and Amsterdam, presented the exhibition "The Desire to Dance with Someone Who is Not Here" at ChertLüdde gallery in Berlin from April 26 to August 24, 2024. The show features installations that blend visual poetry, dance, and sculpture, exploring themes of absence, displacement, and healing. Works include "While the Wounds Are Open" (2024), which incorporates glass beads, gauze, paraffin, and iron filings, invoking the Yoruba orixá Oxum; "Full of Sweetness (y el mappeo del destierro)" (2024), using paraffin and surgical tape to address displacement; and "Zafra" (2021), made from raw cane sugar, fiberglass, and resin, referencing sugarcane harvest and Latin American architecture. Salazar Rosales's method combines conceptual planning with material spontaneity, often starting from the phrase "Hay cuerpos cansados por el viaje que buscan enraizarse" (There are bodies tired from the journey seeking to root). The exhibition was reviewed by Noushin Afzali, an Iranian journalist and editor based in Berlin.

Key facts

  • Sofía Salazar Rosales's exhibition 'The Desire to Dance with Someone Who is Not Here' ran from April 26 to August 24, 2024 at ChertLüdde in Berlin.
  • The artist's heritage is Ecuadorian and Cuban; she studied in Paris and Lyon and completed a residency at De Ateliers in Amsterdam.
  • The exhibition includes works such as 'While the Wounds Are Open' (2024), 'Full of Sweetness (y el mappeo del destierro)' (2024), and 'Zafra' (2021).
  • 'While the Wounds Are Open' uses materials like glass beads, gauze, paraffin, and iron filings, and invokes the Yoruba orixá Oxum.
  • 'Full of Sweetness' employs paraffin and surgical tape to explore themes of displacement.
  • 'Zafra' (2021) is made from raw cane sugar, fiberglass, wood glue, gelcoat, and resin, referencing sugarcane harvest and Latin American corrugated zinc roofs.
  • Salazar Rosales's artistic method balances conceptual planning with material spontaneity.
  • The review was written by Noushin Afzali, an Iranian journalist and editor based in Berlin.

Entities

Artists

  • Sofía Salazar Rosales
  • Noushin Afzali

Institutions

  • ChertLüdde
  • De Ateliers
  • Contemporary And (C&)
  • Revista América Latina
  • Juniin
  • C&AL

Locations

  • Berlin
  • Germany
  • Paris
  • France
  • Lyon
  • Amsterdam
  • Netherlands
  • Ecuador
  • Cuba
  • Guayaquil
  • Guayaquill
  • Havana

Sources