ARTFEED — Contemporary Art Intelligence

Sincerity vs. Performance in Contemporary Art

opinion-review · 2026-04-27

Christian Caliandro reflects on a trend in contemporary culture where artists and writers prioritize persona over work, drawing on Gianluigi Simonetti's critique of the 2022 Strega Prize final. Simonetti noted that finalists adopted performative masks, shifting focus from their work to themselves, fearing the work alone is insufficient. Caliandro extends this to visual art, arguing that such posturing undermines sincerity and authenticity. He defines sincere art as radical, self-excavating, and not seeking immediate gratification, contrasting it with insincere work that sells itself by answering pre-scripted questions. The article, published on Artribune in September 2022, questions how to distinguish authentic from inauthentic art, suggesting this is the critic's task.

Key facts

  • Gianluigi Simonetti critiqued the 2022 Strega Prize final on July 10, 2022, in 'Domenica-Il Sole 24 Ore'.
  • Simonetti observed finalists adopting performative masks, similar to commedia dell'arte.
  • Caliandro applies Simonetti's analysis to contemporary visual art.
  • Caliandro argues that performance undermines the work's sincerity and authenticity.
  • Sincere art is described as radical, going to the root, and not seeking immediate recognition.
  • Insincere art sells itself by providing answers to questions that are not genuine.
  • The article is part of a series on contemporary art on Artribune.
  • Caliandro is an art historian teaching at Accademia di Belle Arti di Firenze.

Entities

Artists

  • Christian Caliandro
  • Gianluigi Simonetti
  • Desiati

Institutions

  • Artribune
  • Il Sole 24 Ore
  • Accademia di Belle Arti di Firenze
  • Symbola Fondazione per le Qualità italiane
  • Premio Strega

Locations

  • Roma
  • Italy
  • Montelupo Fiorentino

Sources