Simona Argentieri on Psychoanalysis, Art, and the Future
In an interview with Spazio Taverna, psychoanalyst Simona Argentieri (born 1940, Florence) discusses the relationship between psychoanalysis, language, and art. She describes herself as an 'omnivore' of culture, citing Mondrian's help in understanding abstraction and a late-18th-century anonymous painting of the Holy Family that inspired her book 'Il padre materno.' Her most representative project explores multilingualism in psychoanalysis, examining how speaking a non-native language can both defend against and access childhood neurotic suffering, leading to studies on émigré analysts and writers like Nabokov, Canetti, and Beckett. She emphasizes the importance of the past in shaping personality but refrains from predictions, preferring 'retroactive prophecies.' On post-truth, she focuses on intrapsychic falsehoods rather than intentional lies. She declines to offer future predictions, advocating instead for mobilizing conscious ego forces. The interview is part of Spazio Taverna's 'Futuro Antico' series.
Key facts
- Simona Argentieri is a psychoanalyst born in Florence in 1940.
- The interview was conducted by Spazio Taverna.
- Argentieri cites Mondrian as helping her understand abstraction.
- A late-18th-century anonymous painting of the Holy Family inspired her book 'Il padre materno'.
- Her most representative project is on multilingualism in psychoanalysis.
- She studied émigré analysts and writers like Nabokov, Canetti, and Beckett.
- She prefers 'retroactive prophecies' over predictions.
- She declines to offer three ideas for the future.
Entities
Artists
- Simona Argentieri
- Piet Mondrian
- Vladimir Nabokov
- Elias Canetti
- Samuel Beckett
- Emma Perodi
Institutions
- Spazio Taverna
Locations
- Florence
- Italy
- Casentino
- Tuscany