SIAE Director Defends Copyright Policies in Heated Interview with Artribune
In a charged discussion, Stefania Caponetti, who heads SIAE's Audiovisual, Drama & Ballet, Literature & Visual Arts division, responds to accusations from Artribune editor Massimiliano Tonelli regarding copyright enforcement. Tonelli argues that SIAE's image licensing stifles cultural journalism, referencing articles on Picasso, Donghi, and Morandi that were abandoned due to a restriction of one image. Caponetti defends SIAE's adherence to the 1941 copyright law (Law 633/1941), highlighting the distinction between 'news reporting' and 'criticism or discussion.' She points out that Artribune has not sought permissions and justifies a €1,200 fee for unauthorized images, maintaining that SIAE's rates remain the same. Caponetti also refers to the 2014 EU Barnier directive and clarifies that a recent court decision favored advertising over editorial use, expressing a willingness to engage in further dialogue.
Key facts
- Stefania Caponetti is director of Audiovisual, Drama & Ballet, Literature & Visual Arts at SIAE.
- Artribune abandoned articles on Picasso, Donghi, and Morandi due to SIAE's one-image limit.
- SIAE's policy is based on Law 633/1941, Articles 65 and 70.
- Artribune paid €1,200 in 2019 for an unauthorized image.
- SIAE retains 10-12.5% of licensing fees; artists receive the rest.
- The 2014 EU Barnier directive was implemented in Italy in 2017.
- A court ruling in favor of AW Art Mag involved advertising, not editorial content.
- SIAE is open to dialogue with cultural operators.
- Artists can waive rights to allow free use of images.
- SIAE's tariffs are public and unchanged post-pandemic.
Entities
Artists
- Pablo Picasso
- Antonio Donghi
- Giorgio Morandi
Institutions
- SIAE
- Artribune
- Galleria Nazionale di Roma
- Palazzo Merulana
- Palazzo Reale di Milano
- AMACI
- AW Art Mag
- ADAGP
Locations
- Italy
- Rome
- Milan
- France
- Spain
- United Kingdom
- Germany