Shimabuku's survey exhibition Octopus, Human, Citrus at Centro Botín explores interspecies communication
Shimabuku, an artist born in Kobe, Japan, and now living in Okinawa, presented a survey exhibition titled Octopus, Human, Citrus at the Centro Botín in Santander, Spain, from autumn 2024 to spring 2025. The exhibition featured works like Something that Floats / Something that Sinks (2024), with limes bobbing in fishtanks, and Going to meet the Octopuses in Santander (2024), a new version of his 2003 piece Catching Octopus with self-made ceramic pots. His art, spanning installations, videos, and texts, often emerges from travels and focuses on communication between species and cultures, finding the extraordinary in the ordinary. Shimabuku's practice includes works such as Fish & Chips (2006), shown at the Liverpool Biennial in 2006, and The Snow Monkeys of Texas (2016), which documents snow monkeys in the U.S. He emphasizes using his own texts to provide direct access to his thoughts, avoiding conventional explanatory wall labels. The artist compares his working method to that of a chef, improvising based on available ingredients. His work will be included in the Okayama Art Summit 2025, running from 26 September to 24 November. The interview was published in the Summer 2025 issue of ArtReview Asia.
Key facts
- Shimabuku's survey exhibition Octopus, Human, Citrus was held at Centro Botín in Santander, Spain, from autumn 2024 to spring 2025.
- The artist was born in Kobe, Japan, lived in Berlin for over a decade, and now resides in Okinawa.
- His work Something that Floats / Something that Sinks (2024) features limes floating or sinking in fishtanks, inspired by observations in his kitchen.
- Shimabuku creates texts to accompany his artworks, aiming for a direct one-to-one relationship with viewers without mediation by critics or institutions.
- He has exhibited globally since the 1990s, including at the Liverpool Biennial in 2006 with Fish & Chips (2006).
- The Snow Monkeys of Texas (2016) documents snow monkeys transplanted from Japan to the U.S., exploring themes of displacement and memory.
- His piece Going to meet the Octopuses in Santander (2024) involves ceramic pots for catching octopuses, linking methods from Europe and Kobe.
- Shimabuku's work will be featured in the Okayama Art Summit 2025 from 26 September to 24 November.
Entities
Artists
- Shimabuku
Institutions
- Centro Botín
- ArtReview Asia
- Liverpool Biennial
- Okayama Art Summit
Locations
- Kobe
- Japan
- Hyōgo Prefecture
- Berlin
- Germany
- Okinawa
- Santander
- Spain
- Liverpool
- United Kingdom
- Kyoto
- Texas
- United States
- Akashi
- Tokyo
- Okayama