Sebastian Chan on digital strategy for museums
Sebastian Chan, Chief Experience Officer at ACMI – Australian Centre for the Moving Image, discusses digital communication and revenue models for museums. He argues that digital is now inseparable from physical experience, yet museum digital revenue models remain outdated, mostly translating traditional income streams like ticketing. Relevance, he says, can only be measured if a museum is clear about its goals and target audiences. Key skills for a social media manager are adaptability and community engagement, not just technical expertise. Chan highlights the Cooper Hewitt Pen project, which boosted attendance, lowered visitor age, and increased collection visibility, but laments that other institutions have not followed its lead. ACMI is currently redeveloping its main site in Melbourne, positioning digital at its core as the national museum of film, TV, video games, digital culture, and art. Chan recommends Robin Sloan's novel 'Sourdough' as a witty meditation on tech culture.
Key facts
- Sebastian Chan is Chief Experience Officer of ACMI – Australian Centre for the Moving Image.
- ACMI is redeveloping its main site in Melbourne.
- Chan believes digital revenue models for museums are obsolete.
- The Cooper Hewitt Pen project increased attendance and lowered average visitor age.
- Chan says other institutions have not adopted the Cooper Hewitt Pen model.
- Key skills for a social media manager are adaptability and community engagement.
- Chan recommends Robin Sloan's novel 'Sourdough'.
- The interview was published on Artribune Magazine #41.
Entities
Artists
- Robin Sloan
Institutions
- ACMI – Australian Centre for the Moving Image
- Cooper Hewitt, Smithsonian Design Museum
- Artribune
Locations
- Melbourne
- Australia