Sarah Cosulich on Losing Artissima Directorship to Ilaria Bonacossa
Sarah Cosulich Canarutto, after leading Artissima for five editions, lost the directorship to Ilaria Bonacossa in a public tender. In an interview with La Stampa, Cosulich expressed frustration, stating the decision was not based on her work, which she says strengthened the fair's experimental identity and drove growth. She presented an economic project focusing on structural evolution to maintain international competitiveness, informed by her management experience, new partnerships, and global market shifts. Gabriele Ferraris, a cultural commentator, defended the process, noting that an independent commission made the decision, and criticized those who expected a predetermined outcome. The controversy highlights tensions between institutional expectations and fair leadership in Turin.
Key facts
- Sarah Cosulich Canarutto directed Artissima for 5 editions.
- Ilaria Bonacossa won the public tender for the directorship.
- Cosulich stated the decision was not based on her work results.
- Her project was more economic than artistic, focusing on structural evolution.
- Gabriele Ferraris defended the independent commission's decision.
- Cosulich expressed frustration over negative personalization of the process.
- The fair's experimental specificity was strengthened under Cosulich.
- Cosulich's economic project considered global art market changes and Turin's situation.
Entities
Artists
- Sarah Cosulich Canarutto
- Ilaria Bonacossa
- Gabriele Ferraris
Institutions
- Artissima
- Fondazione Torino Musei
- La Stampa
- Artribune
Locations
- Turin
- Italy